It would be unfair to compare the likes of Rituparno Ghosh with the, so to speak, newcomers like Anirudhha Roy Chowdhury and Srijit Mukherjee of Bengali new wave cinema. Rituparno Ghosh with his inimitable sensitive genre and superlative techniques is 'the man' in Bengali and Indian film fraternity. If we compare the first few films of Rituparno Ghosh with those of the other two, I find significant differences. Rituparno is a class beyond, a class above and the last of the originals. He is an original story teller and a great social psychoanalyst who would never miss anything when it comes to human psyche.
Three film famous Anirudhha Roy Chowdhury is a copybook film maker who likes to go into elaborate detailing of things rather than the quintessential human thought patterns. Even the alignment of the curtains or books in a rack is taken care of with ad film making precision. The crisp and calculate shots go to show the genius of the Ad film maker, if not anything more. The cinematography is highly plausible and so is the film music. The three films have shown traces of good work, a sign of good film architect. However, in totality, with all those precision and eye for details his works failed me. Sometimes, chaos is more coveted than perfection. Little bit of imperfection is OK at times.
Srijit Mukherjee, young and dynamic, is a promising director. His films touch delicate nuances of the human psyche. Beautiful rendition of imagery reflects his smart education. I feel, he has more potential and just two film old Srijit certainly has a long way to go. Snippets of class fill his films and at the end of it you get to like his work. The method in madness style has seemed to work for him. Good ears for music, great sense of editing and the ability to learn from the surroundings have made his films substantially persistent.Rituparno Ghosh has a class hard to achieve. He is truly the last of the originals. An unbelievable story teller, Rituparno has redefined the method and madness in his own terms. He has been able to move his audience convincingly from frame to frame. We, Bengalees, not only love his way of dealing with the art of film making but also appreciate the exquisite candid terms by which he lives his life. He is truly a Renaissance man.
Hello! Thanks for dropping by and leaving your comment. I totally agree with you there. Anirudhha, even with all the embellishments and props, fails to appeal me. On the other hand, I find Srijit's sensitivity more real and touching. Awaiting to watch " Hemlock Society" and Rituporno should do more films. He is a genius.
ReplyDeleteThanks again.